Tag #141642 - Interview #98944 (Matilda Levi)

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I come from Karnobat. My [paternal] grandfather Moisei Behar ran his own business. He had a little shop down at the square. He used to sell textile, haberdashery, fancy goods, etc. A lot of people used to come from the villages. There was a connection with the villages. Women weren’t allowed to go there; it was regarded indecent in those times. Sometimes I went there. When I was a child my grandfather wasn’t interested in the children at all and he even mixed up their names. My grandfather could read in Bulgarian. He read newspapers, but he couldn’t write. My paternal grandmother, Vida Hason, came from Bourgas; my grandfather brought her from there. She came from a notable family. My grandmother was a real housewife though she could write. I wondered why, when she started writing something, she wrote from right to left. She didn’t explain. I suppose it must have been a text in [old] Turkish; I don’t know even now what it was. She spoke fluent Turkish.

My grandmother had seven children and they all went to different places. All of my aunts and uncles received their education in Bourgas, and one of my aunts in a French boarding school in Rousse. Later, all of them except my father went to Israel. He remained here because his ideology didn’t allow him to leave. I don’t know what was better: to depart or not.

My other grandmother, my mother’s mother, Bohora Behar, came from Yambol and her father was a rabbi there. They called my other grandfather, Mordehai Behar, Bukorachi-the-drummer. He was bald headed and had a little beard. We had a big portrait of him and he looked just like Lenin, at least that’s what Lenin looked like in the photos I’ve seen of him. We hung this portrait [on the wall]. Later we had to hide it because he looked so much like Lenin. When he was going to work in the mornings, he passed by our house. He had a big cane with which he could reach the first floor window and he knocked to tell me good morning and then he went on to work.
Location

Bulgaria

Interview
Matilda Levi