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After the war, I got into a completely different group [through my husband] and then I started to be interested in musical scores. My husband brought home to me the music of the latest piece (at that time he already worked at the Operetta Theatre) and I had to write out the parts for each musicians. This is how I started. Then the Office of the Protection of Copyright admitted me; and there I learned to decode all kinds of manuscripts, to work out the composer’s writings, to correct the mistakes that cropped up. Later I worked at the music printing house, then at the music publishing-house. It was very good, I liked it very much, and they paid well, too.
Period
Location
Budapest
Hungary
Interview
Katalin Andai