Selected text
In 1944 I went to school. I was admitted to the 3rd grade. It was a Russian
school for boys and girls. We had a wonderful teacher, a very intelligent
person. I studied only two years at this school. There were quite a few
Jewish children at this school. There was no anti-Semitism at school. We
didn't have a bell at school. There was a rail and they banged on it when
the lesson was over. Our teacher, Anna Romanovna, always let me go some
time before the end of the class, and I went and banged on this rail. Later
Anna Romanovna paid attention to my drawings. I was in the 4th grade when
she asked me to help senior students to make a wall newspaper. I was to
help them draw Lenin. The senior children brought me a book with a
portrait of Lenin and I made a rather big portrait of him for their
newspaper. I also paint pictures for Anna Romanovna for her classes. She
told me that I had to go to Kiev Art School. My mother and I went to this
school. Its deputy Director looked through my pictures and I was admitted
at this school.
school for boys and girls. We had a wonderful teacher, a very intelligent
person. I studied only two years at this school. There were quite a few
Jewish children at this school. There was no anti-Semitism at school. We
didn't have a bell at school. There was a rail and they banged on it when
the lesson was over. Our teacher, Anna Romanovna, always let me go some
time before the end of the class, and I went and banged on this rail. Later
Anna Romanovna paid attention to my drawings. I was in the 4th grade when
she asked me to help senior students to make a wall newspaper. I was to
help them draw Lenin. The senior children brought me a book with a
portrait of Lenin and I made a rather big portrait of him for their
newspaper. I also paint pictures for Anna Romanovna for her classes. She
told me that I had to go to Kiev Art School. My mother and I went to this
school. Its deputy Director looked through my pictures and I was admitted
at this school.
Period
Location
Kyiv
Misto Kyiv
Ukraine
Interview
Zoya Lerman