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My wife, Aurelia Sorescu, lived her tragedy and humiliation without seeing any chance to get to do something even remotely related to her profession. Various acquaintances of hers – some of them placed in pretty high places – started suggesting to her to give up the idea of leaving the country. To file for ‘cancellation.’ This term was becoming popular – it was the term that could give us the right to live again. Of course, she asked for my opinion. I couldn’t say no. I wouldn’t have had any arguments. She had reached the limits of her physical and psychological strength. The question was whether I should abandon the emigration plans too – making common cause with her, just like she had done back in fall – or wait and see what would happen to her before I make a decision. We both agreed on the latter. She was moved from place to place, until they found her a position at the ‘L. S. Bulandra’ Theater, the former Municipal Theater. Encouraged by the results of her ‘cancellation,’ I was naive enough to think that the same thing would happen to me too. But I was wrong. My first dream had been to teach again. The answer was trenchant: ‘There’s no room for him in education anymore. He can go play in pubs!’ I couldn’t be a soloist either. With or without that cancellation, my name could no longer be printed on any poster. I had no way out. And I couldn’t access the higher hierarchy. Petru Groza was dead and Gheorghiu-Dej was the new head of the state. It was obvious that I couldn’t go to him. The man had ‘rehabilitated’ me, and I had applied for emigration in return…
Period
Location
Bucharest
Romania
Interview
Dan Mizrahy