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After having lived for three years in rented rooms, my parents, who both worked as clerks, were able to build the house where I was later born; they paid installments to the ‘Cheap Housing Society.’ When they moved in, my sister was three months. The house was furnished with the best taste: the living room, with two comfortable armchairs and six chairs with identical upholstery, the ‘Aubisson’ corner, the floor lamp, the splendid bronze chandelier with twelve arms, matching the two bracket lamps of the same material, which guarded the fireplace. The right-hand rooms were turned into one single room when the house was renovated in 1935. The side towards the street sheltered my father’s desk with the adjoining armchair and a superb bookshelf with crystal doors; the side towards the courtyard had the oak dining room set, with an extendable table for 24 people relying on two massive, sculptured legs, a huge sideboard that covered an entire wall, a buffet next to another wall, and, finally, a wonderful crystal cabinet placed in a niche that had been specially added when the house was renovated. The window was made of crystal poured over a drawing inspired by Strauss’ ‘Wein, Weib und Gesang’ waltz [German for ‘Wine, women and song’], picturing an elegant lady with a hat sitting at a table in front of a glass cup, with a saxophonist standing next to her. An electrical installation used to illuminate this crystal with a light bulb placed between the exterior window and the crystal.
Period
Location
Bucharest
Romania
Interview
Dan Mizrahy