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My [elder] brother Artur latched on to that technique later on; he was really Father’s spiritual heir in terms of photography. Artur got married and moved to Czestochowa, around the turn of the 1920s and 1930s, and built himself a photography studio called ‘Sztuka’ [Art], before the war.
He did well – he even got into Jasna Gora [3] and took photographs of pilgrimages and what have you. Then he even got into that ‘Bromöldruck,’ but that was after the war, when he emigrated to Israel, where he had a photography studio too. There he got into another technique, called ‘Gummidruck’ [gum bichromate] – that technique is still used today by some photographers.
He did well – he even got into Jasna Gora [3] and took photographs of pilgrimages and what have you. Then he even got into that ‘Bromöldruck,’ but that was after the war, when he emigrated to Israel, where he had a photography studio too. There he got into another technique, called ‘Gummidruck’ [gum bichromate] – that technique is still used today by some photographers.
Period
Interview
Julian Gringras