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I kept telling myself that I wouldn’t go there [to her parents’ apartment] at all. I was walking around Lwow with those friends of mine, showing them the various historical buildings, churches, museums. Only one of them knew Lwow, but not as well as I did. And on the last-but-one day of our stay we were at the Sobieski Museum on the Main Square and at some point, looking at the various exhibits, I suddenly realized that on the next day I’d be leaving and would not have been there. And I said to them: ‘Listen, we’ll meet at the hotel.’ I left them and dashed off alone.
And then I went there for the first time. I knew that the house which we had lived in before the war had had the front, stairs, and interior design altered because during the war it had taken a direct shell hit. I approached, the front door was closed. The completely changed facade, the little balconies where they hadn’t been before… But the other house, where Grandfather had lived, was precisely as I remembered it… I will only look at the yard [I thought]. And I entered. The sycamores weren’t there, someone must have found them a nuisance. Wooden stairs led inside, which before the war had been regularly polished, covered always with a red carpet, I saw the golden hooks that used to hold it, still in place. The banister, also wooden, ending, like everything in Lwow, with a lion’s head. The lion’s head wasn’t there anymore, only a round knob. So many years, everything had changed. I put my hand on the knob and I don’t know, don’t remember the moment when I found myself on the first floor pressing the doorbell to my grandparents’ apartment. Those few seconds were simply lost. I don’t remember going up those stairs. In any case, I was woken up by the shrill sound of the doorbell. And then the door opens and a petite lady is standing in front of me, completely grey-haired. It was winter, February. Those Bulgarian sheepskin coats were in fashion then. I stood in that coat, a very nice one, brown, with a hood and white finish. It was clear I wasn’t from there, that I was a foreigner. She looks at me inquiringly.
‘I lived here before the war,’ I said, in Russian. I was a senior lecturer in Russian philology then. She says: ‘Come on in,’ and lets me into the hall, which is tiny and divided, and I remember that it was very large, taking a turn at one point like the letter L. The door ahead, to Grandfather’s former living room, was in place. I always remembered those rooms as very large, very high. And when I now found myself in that apartment, I was surprised to see they weren’t that very large or high at all. They were large, but not as huge as I remembered. I enter, some tall man is standing there, and my ears are all clogged up, as if I had plugged them with cotton wool – I didn’t hear what he said, only her reply: ‘She says she used to live here.’ The man helps me with my coat: sit down, please, and tells his wife to bring something to drink. She brought cognac, he poured it into a glass and says: drink, please. When I drank it, I, so to say… came to. And I say excuse me, but it wasn’t me who lived here, but my grandfather. He asks me: what was his name? Jakub Singer, I say. And I’m sitting facing the windows, and there used to be two windows there, and between them the balcony door. And I see only one window and the balcony door, and yet I remember two windows, for God’s sake, and I either said something to that effect or he saw my gaze fixed on those windows, and he goes: yes, yes, you aren’t wrong, this apartment was very large, it has been divided into three separate apartments. We moved a wall to make the other room larger. Our son lives there. And he asks me whether I want to see that part? No, I say, I don’t.
And then I went there for the first time. I knew that the house which we had lived in before the war had had the front, stairs, and interior design altered because during the war it had taken a direct shell hit. I approached, the front door was closed. The completely changed facade, the little balconies where they hadn’t been before… But the other house, where Grandfather had lived, was precisely as I remembered it… I will only look at the yard [I thought]. And I entered. The sycamores weren’t there, someone must have found them a nuisance. Wooden stairs led inside, which before the war had been regularly polished, covered always with a red carpet, I saw the golden hooks that used to hold it, still in place. The banister, also wooden, ending, like everything in Lwow, with a lion’s head. The lion’s head wasn’t there anymore, only a round knob. So many years, everything had changed. I put my hand on the knob and I don’t know, don’t remember the moment when I found myself on the first floor pressing the doorbell to my grandparents’ apartment. Those few seconds were simply lost. I don’t remember going up those stairs. In any case, I was woken up by the shrill sound of the doorbell. And then the door opens and a petite lady is standing in front of me, completely grey-haired. It was winter, February. Those Bulgarian sheepskin coats were in fashion then. I stood in that coat, a very nice one, brown, with a hood and white finish. It was clear I wasn’t from there, that I was a foreigner. She looks at me inquiringly.
‘I lived here before the war,’ I said, in Russian. I was a senior lecturer in Russian philology then. She says: ‘Come on in,’ and lets me into the hall, which is tiny and divided, and I remember that it was very large, taking a turn at one point like the letter L. The door ahead, to Grandfather’s former living room, was in place. I always remembered those rooms as very large, very high. And when I now found myself in that apartment, I was surprised to see they weren’t that very large or high at all. They were large, but not as huge as I remembered. I enter, some tall man is standing there, and my ears are all clogged up, as if I had plugged them with cotton wool – I didn’t hear what he said, only her reply: ‘She says she used to live here.’ The man helps me with my coat: sit down, please, and tells his wife to bring something to drink. She brought cognac, he poured it into a glass and says: drink, please. When I drank it, I, so to say… came to. And I say excuse me, but it wasn’t me who lived here, but my grandfather. He asks me: what was his name? Jakub Singer, I say. And I’m sitting facing the windows, and there used to be two windows there, and between them the balcony door. And I see only one window and the balcony door, and yet I remember two windows, for God’s sake, and I either said something to that effect or he saw my gaze fixed on those windows, and he goes: yes, yes, you aren’t wrong, this apartment was very large, it has been divided into three separate apartments. We moved a wall to make the other room larger. Our son lives there. And he asks me whether I want to see that part? No, I say, I don’t.
Period
Interview
Janina Wiener
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