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And so I went to Irena Solska and I found a way [to survive]. I didn't know Solska before the war. I only knew she was a renowned theater actress. An artist. I went to her, there was a cosmetics store in the front, and she lived on the first floor at the back. I say 'A lady such-and-such has sent me and can I keep the borrowed sofa because I need a place to stay?' And she starts telling me, in an utterly theatrical voice, the old dramatic school, Nina Andrycz [born 1915, Polish theater and movie actress] style, 'I receive wool here that needs to be taken to the clients...' And she trembled, it was advanced Parkinson, she was already old. 'Your job is to take the material to the clients, pick up the money, the pay is so and so, breakfast and dinner included.' I'm waiting for an answer about the sofa and she's telling me all that in that theatrical voice of hers! I ask, 'But, madam... are you making this offer to me?' 'Yes, I am.' 'Do you know who you're talking to?' 'I do.' 'But I can be stopped with the material and the money and never return, because I'm a Jew.' 'I can tell. But I trust nothing bad will happen to you, I believe in what my intuition tells me.' And it was like being on cloud nine. I had a way to earn my living, to have a place to stay, money, and even to pay for my sister. 'Nothing bad will happen to you with me.
Period
Interview
Apolonia Starzec
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